I was hanging out with Laurie Schorr (the awesome lady who introduced me to the Light Factory) at her studio this weekend, working on salt prints. Those were a ton of fun, especially because we had just what materials were on hand. There was no measuring, no strict standards, no control. Just a bunch of salt packets from delivery food stashed in the drawer under the microwave, tap water and some plastic cups. We were mostly printing on scraps, everything was hurried along because it was just a few hours of time... and we got some great prints!
But that isn't what I'm talking about today, because I still want to do an amazing post on salt prints and I haven't got it together. I know, I'm terrible at everything. Thanks for the ego-boost, spiders.
cyanotype shrinky-dink |
Once upon a time, I tried to speed up the drying process for one of my cyanovellums by microwaving the print. The parchment, which is just animal skin, heated up rapidly and contracted into a tiny chip. Originally it was about the size of my palm, but it ended up no bigger than my thumb. The image remains intact, but it's very small, brittle and dense now. Kinda like a shrinky-dink, really.
I kept the shrinky-skin and glued it to a trash print just to provide backing and some surrounding color. It's framed and everything. There's a lesson in there about patience and letting things happen on their own time, but the important lesson is just to not microwave animal skin. It shrinks. A lot.
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